The Philosophy Behind A Raisin in the Sun

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A landmark of American and African-American theater since its debut on Broadway in 1959 and as a Hollywood film in 1961, Lorraine Hansberry’s A Raisin in the Sun is a disarmingly simple play that uses traditional techniques to craft a revolutionary message. It is also an extremely subtle work whose meaning lies largely in its unspoken sub-texts, assumed con-texts, and unacknowledged co-texts. This course will explore some of the implicit philosophical influences — including Aritotle’s Poetics and Simone de Beauvoir’s The Second Sex as well as the existentialism of Jean-Paul Sartre and Albert Camus — that form part of the foundation beneath Hansberry’s work. We will also consider some of Hansberry’s thoughts about her own art. Students may wish to see Court Theatre’s concurrent production of A Raisin in the Sun in conjunction with this course and/or prepare for the course by taking the preceding course, “A Raisin in the Sun Deep Dive”. Continue reading

“Condemned to be Free”: Introduction to the “Existential Phenomenology” of Jean-Paul Sartre

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An intellectual titan of the 20th century who influenced many — including his romantic partner Simone de Beauvoir, author of the feminist manifesto The Second Sex — Jean-Paul Sartre articulated a philosophy of “existential phenomenology” through treatises, novels, and plays. Grounded in the theoretical claim that “existence precedes essence”, this philosophy culminates in the practical claim that every human being is unavoidably “condemned to be free”. Denial of this radical freedom is characterized as “bad faith”. This course will introduce Sartre’s perspective through a close reading and discussion of selections of his major theoretical work, his most famous novel, and three of his plays. It will also set the stage for a subsequent consideration of the political philosophy of Albert Camus, who started as Sartre’s friend and ended as his enemy. Continue reading

“In the Midst of Winter, I Discovered Within Me an Invincible Summer”: Albert Camus’s The Rebel

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What is a rebel? A man who says no, but whose refusal does not imply a renunciation. He is also a man who says yes, from the moment he makes his first gesture of rebellion. A slave who has taken orders all his life suddenly decides that he cannot obey some new command. What does he mean by saying “no”?
— Albert Camus, The Rebel

Although Albert Camus is better known for his essay “The Myth of Sisyphus” and his novel The Stranger, his essay The Rebel: An Essay on Man in Revolt is perhaps his most important and underappreciated work. Part philosophy, part history, Camus’s essay surveys various aspects of rebellion — including “Metaphysical Rebellion”, “Historical Rebellion”, and “Rebellion and Art” — and differentiates rebellion from revolution. Indeed, it was just this analysis that led to Sartre’s repudiation of Camus, despite the fact that Camus’s perspective arguably builds on Sartre’s notion that “man is condemned to be free”. Continue reading