Tag Archives: Ancient Greece

Zen and the Art of Motorcycle Maintenance (ZAMM / ZMM) “Sidecar”

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COURSES > LIFELONG | COURSES > ONLINE

This course is a synchronized supplement to a parallel reading of Robert Pirsig’s classic Zen and the Art of Motorcycle Maintenance (ZAMM / ZMM) and Plato’s Phaedrus. As such, it functions something like a sidecar to a motorcycle. The core sidecar readings include (selections from) works on Zen/Buddhism, a “guidebook” to Pirsig’s novel, the book whose title was the model for Pirsig’s title, and the philosophical text that first introduced Pirsig’s narrator to the “classic and romantic modes of reality and probably shaped these terms in his mind more than he ever knew.” Two bonus readings and a film are the subject of a separate stand-alone session several weeks after the completion of both the primary readings and the core sidecar readings. Continue reading →

How to Read Plato’s Dialogues as Literature

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Like its counterparts in the “How to Read Classic Texts” series, this course is designed to help students improve their reading skills. In this case, by learning how to read Plato’s dialogues as “philosophical dramas,” the full appreciation of which requires attention to each work’s dramatic and philosophical dimensions (sometimes referred to as “form” and “content”) — as well as (sometimes) to its connections to other dialogues in Plato’s canon. Discover what folks who read Plato’s dialogues as thinly-veiled manifestoes are missing! Continue reading →

Epic of Id, Epic of Superego: A Freudian Reading of Homer’s Iliad and Odyssey

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LECTURES > PREVIOUS

Although the Iliad and Odyssey are often understood as two parts of a single larger story that manifests a single, coherent “heroic” worldview, an alternative perspective sees the Odyssey as essentially a repudiation of, and replacement for, the values of the Iliad. Indeed, from this point of view the Odyssey is often seen as standing in relation to the Iliad much as the New Testament is often seen as standing in relation to the Hebrew Bible.  This alternative perspective can be deepened by analyzing the two epics using Freud’s theory of the tri-partite psyche (a process that Freud himself often employed  when interpreting classic literature and other works of art). From this Freudian perspective, the Odyssey appears as the epic celebration of the hero of the superego (Odysseus) that repudiates and supersedes the Iliad, the epic celebration of the hero of the id (Achilles). Continue reading →

Pirsig’s Progress: Zen and the Art of Motorcycle Maintenance as a Modern Spiritual Journey

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Since its publication in 1974, Zen and the Art of Motorcycle Maintenance: An Inquiry into Values (ZAMM) has been widely hailed as a modern classic as well as a work that defies conventional characterization. Part novel, part diary, part manifesto, ZAMM relates the thoughts and experiences of a philosophically-oriented unnamed middle-aged narrator as he progresses along a number of simultaneous personal journeys, all of which facilitate an overarching spiritual journey toward wholeness and wellness. Overall, though, ZAMM appears to be a special kind of “Chautauqua” designed to induce analogous journeys in readers. This course will undertake the ZAMM journey through close reading and discussion of this modern masterpiece along with related Platonic dialogues that lurk in the background. Continue reading →

Homer’s Odyssey

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Although often regarded as the sequel to the Iliad, Homer’s Odyssey is perhaps better understood as an independent work with its own beginning, middle and end, and its own concerns, motifs and messages. This course provides participants an opportunity to personally engage with Homer’s “other”, “domestic” epic through close reading and discussion of the text in a way that pays due attention to both the “big picture” and the “little details” that combine to give the Odyssey a force that still resonates today. The process of gaining familiarity with, and insight into, the text and the culture(s) of which it was originally a part it will also shed light on some of the major differences — as well as some of the major commonalities — between “then” and “now”. No background or prior experience is required. Continue reading →

Homer’s Iliad

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Often considered the first work of “Western literature”, Homer’s Iliad has been a major cultural force for over 2,500 years — both in its own right and in terms of the subsequent works that depend upon it. This course is an opportunity for participants to personally engage Homer’s epic through close reading and discussion of the text in a way that pays due attention to both the “big picture” and the “little details” that combine to make the Iliad the foundational masterpiece it is. The process of gaining familiarity with, and insight into, the text and the culture(s) of which it was originally a part it will also shed light on some of the major differences — as well as some of the major commonalities — between “then” and “now”. No background or prior experience is required. Continue reading →

The Trial and Death of Socrates

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The trial and death of Socrates is perhaps one of the most (in)famous events of philosophical martyrdom in Western history. As such it bears and repays close and repeated study in order to understand exactly who and what Socrates was, what happened to him, and what (if any) lessons the ancient event holds for our time. With such goals in mind, this course is devoted to a close reading and discussion of the four Platonic dialogues that revolve directly around the momentous events: Euthyphro, Apology, Crito, and Phaedo. Continue reading →

Virtue as Moderation: An Introduction to Aristotle’s Nicomachean Ethics

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Among the many ideas for which Aristotle has been long remembered, perhaps the most famous is the idea of the “golden mean” — the idea that virtue is a moderate midpoint between two extremes of vice. In this short Socratic Method seminar, participants will carefully read and discuss passages from Aristotle’s Nicomachean Ethics in a collaborative effort to gain an initial understanding of this important idea, as well as to get a general sense of the scope and style of one of Aristotle’s most important works. No prior knowledge or experience of any kind is required. All reading and discussion will be in English. Continue reading →