The Trial and Death of Socrates


The trial and death of Socrates is perhaps one of the most (in)famous events of philosophical martyrdom in Western history. As such it bears and repays close and repeated study in order to understand exactly who and what Socrates was, what happened to him, and what (if any) lessons the ancient event holds for our time. With such goals in mind, this course is devoted to a close reading and discussion of the four Platonic dialogues that revolve directly around the momentous events: Euthyphro, Apology, Crito, and Phaedo. Continue reading

“We Must Not Be Afraid To Be Free”: The Trials of George Anastaplo


George Anastaplo (1925-2014) has long been a legend for his decade-long Cold War fight against the State of Illinois’s refusal to admit the young World-War-II veteran to the practice of law on the basis of Anastaplo’s assertion of fundamental rights he believed enshrined in the Bill of Rights and the Declaration of Independence. This course will combine a study of Anastaplo’s case (from its obscure 1950 Chicago beginning through its famous 1961 U.S. Supreme Court culmination) with a study of Anastaplo’s views on American fundamental rights.  Readings will include key documents from the case at its various stages as well as selections from Anastaplo’s scholarly works on the U.S. Constitution (plus relevant historical documents), and will be supplemented by an audio recording of Anastaplo’s pro se oral argument before the U.S. Supreme Court and the film Judgment at Nuremburg. This course is open to all. Continue reading

Arts of Affluence [3]: Families and Inheritance (Planning)


Family legacies often have unintended consequences. Through the close reading and discussion of fiction and non-fiction works and the consideration of two films,  this course will explore the types and consequences of family legacies and consider the ways in which such legacies can be designed to help and not hurt. Texts will include: Hughes’s Family Wealth, Hausner and Freeman’s The Legacy Family, Williams and Preisser’s Philanthropy, Heirs and Values and Condon and Condon’s Beyond the Grave as well as Booth Tarkington’s The Magnificent Ambersons, Tennessee Williams’s Cat on a Hot Tin Roof and William Shakespeare’s King Lear. Continue reading

Arts of Affluence [2]: (Passive) Investing on Wall Street


Modern financial research suggests that investing success is generally unrelated to investing skill — and therefore that the best way to “win” the investing “game” is not to “play” it at all. This course will examine the “passive investing thesis” through the close reading and discussion of contemporary investing classics alongside a consideration of Tom Wolfe’s The Bonfire of the Vanities and Oliver Stone’s Wall Street. Texts will include: Benjamin Graham’s The Intelligent Investor, Burton Malkiel’s A Random Walk Down Wall Street and William Bernstein’s The Four Pillars of Investing. Continue reading

Arts of Affluence [1]: Wealth and the American Dream


For better or worse, one version of the American Dream has long equated “success” with “material wealth”. This course will explore that equation through the close reading and discussion of important fiction and non-fiction works from America’s Gilded Age and the consideration of two films on wealth in America (Citizen Kane by Orson Welles and Born Rich by Jamie Johnson). Texts will include: Horatio Alger’s Ragged Dick, Sinclair Lewis’s Babbitt and F. Scott Fitzgerald’s The Great Gatsby as well as Andrew Carnegie’s “The Gospel of Wealth”, and Thorsten Veblen’s The Theory of the Leisure Class. Continue reading

Sweet Homer, Chicago: A Summer Reading of the Iliad


Homer’s Iliad has inspired audiences for nearly 3,000 years. This course will provide students with a rigorous but relaxed opportunity to study this seminal epic through close reading and discussion. Students will better understand the work itself, the culture that produced it, and the Iliad’s role as the “starting point” for all that came after. Continue reading

Delivered from Destruction: The Bible’s Exodus and Virgil’s Aeneid


Origin or foundation epics are common to many cultures. In this course we will examine two such epics side-by-side: the Exodus epic (Exodus-Joshua) from the Bible, in which the Israelites are transformed from slaves in Egypt into masters in Canaan, and Virgil’s Aeneid, in which the vanquished at Troy are transformed into the victors at (what will become) Rome. Through careful consideration of both stories we will seek to better understand each epic in its own right as well as what the two stories have in common and what makes each story unique. Continue reading

Shakespeare’s Merchant of Venice as Christian Comedy


Although modern interpretations of The Merchant of Venice often focus on the play’s characterization and treatment of the Jewish moneylender Shylock, both the play’s title and plot suggest that Shakespeare’s focus was on the Christian merchant Antonio. Through a careful reading and discussion of Shakespeare’s play in conjunction with selections both from Christopher Marlowe’s roughly contemporaneous The Jew of Malta and from the New Testament, this course will explore Shakespeare’s exaltation of “graceful Christianity” in both the major and minor plot threads of one of Shakespeare’s most controversial plays. Continue reading

Divine Epics [3]: The Qur’an and The Aeneid


Both the Aeneid and the Qur’an can be viewed as the culmination of divine trilogies — the Aeneid completes the story begun in the Iliad and Odyssey, and the Qur’an follows the Hebrew Bible and New Testament (or, more precisely: the Torah and the Gospel).  This course will examine these “sequels,” both as independent works and in terms of their relationships to their precursors.  In addition, we will also compare and contrast Virgil’s account of the “Trojan exodus” of Aeneas, which culminates in the foundation of Rome, with the Exodus from Egypt, which culminates in the foundation of Israel. Continue reading

Divine Epics [2]: Homer and the Bible


This course is a rare opportunity to compare four foundational texts that are usually read independently or in pairs, yielding surprising insights into the texts and ourselves. Beyond extending an existing story, sequels comment upon, reinterpret, and at times even repudiate the events and values of the original. This course examines the Odyssey as a sequel to the Iliad and the New Testament as a sequel to the Hebrew Bible in an effort to understand the later works both as independent works and in terms of their vital relationship to their predecessors. Continue reading